By Bill Evans, Greg Stone
Prepared through Greg Stone, shooting invoice Evan's distinct close-voiced jazz piano chord voicings at the guitar.
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19. Robert Gordon, Can’t Be Satisﬁed: The Life and Times of Muddy Waters (London: Pimlico, 2003), 158–59. 20. ” 21. The phrase was used by George Melly, Revolt into Style: The Pop Arts in Britain (Harmondsworth: Penguin, 1972), 88. Korner’s crusading work is outlined by Shapiro, in Alexis Korner: The Biography. 22. Robert Palmer, Deep Blues: A Musical and Cultural History (New York: Penguin, 1982), 261. 23. Paul Oliver, Blues Off the Record (Tunbridge Wells: The Baton Press, 1984), 3. 24. George Melly, Owning Up (Harmondsworth: Penguin, 1965), 11.
30, 1938. 23892-1, “Roll ’Em Pete,” Voc 4607, Parlo R2672. ———, with Pete Johnson and Boogie Woogie Boys. New York, June 30, 1939. 25023-1. “Cherry Red,” Voc 4997, Parlo R2717. White, Josh, vo, gtr. New York, c. 1942. KJW11. “House of the Rising Sun,” Keynote K542. 37 38 PA U L O L I V E R Reissues on 10ЈЈ Long-Play Records (London “Origins of Jazz”) Note that “London” in this list refers to the Decca subsidiary label. Ma Rainey, 1927; Ida Cox, 1928; Bessie Smith, 1929; and Bertha “Chippie” Hill, 1946.
Other books on jazz, written in Britain, were now appearing, some being published by Poetry London. Albert McCarthy edited The PL Yearbook of Jazz, 1946, which contained a thirty-ﬁve-page chapter “On Blues” by Max Jones, which was quite the best feature on the subject to have been published anywhere at that time. Three years later, Shining Trumpets, a history of jazz TA K I N G T H E M E A S U R E O F T H E B L U E S by Rudi Blesh was published, with two chapters on “The Blues,” in which he proposed a classiﬁcation.